The Jaded Lover production duo are back, and this time they each apply the remix treatment to a catchy new ditty featuring Marc Nelson on vocals, who was the executive producer at The Alley Recording Company.
Jaded Lover returns with Ex-Post Dishes, a single that was vaguely inspired by Pulp’s infamous “Dishes.” Beyond the title though, the similarities to Mr. Cocker’s domestic musings end as New Wave guitar, synth, and drums mesh with the vocals to create the already hook-laden label’s catchiest tune yet.
Is there time enough? There certainly is for the latest single from Jaded Lover. The production duo turn out their catchiest synthpop number to date with a series of hooks and licks that are sure to stick in your head long after the clock runs out.
Jaded Lover have a more serious aspect of their sound to highlight on their sophomore outing. “White Pelt” is a markedly somber single that features mystery vocalist Starlore.
Jaded Lover hits with more past goodness on ‘08-’18 Upgrayedd Mixes Vol. 2. A re-mix/master “Upgrayedd” treatment on two tracks, with a new song that only existed as an unreleased demo before now.
Jaded Lover is diving into the song vault on ‘08-’18 Upgrayedd Mixes Vol. 1. A re-mix/master “Upgrayedd” treatment on two tracks, with a new song that only existed as an unreleased demo before now.
“Detritus” is a seductive earworm that says much while saying little. Jaded Lover throw a couple of EBM cyborgs from your post-apocalyptic nightmares into their “Sifting Through The Ashes Mix” to round out the single.
Compiled by Matt Wells, Mark Gertz, and The Gleez
Mixed by Matt Wells (Ableton Live)
Within The Sounds Of Room 237, all work and no play, can make you a dull boy…
Jaded Lover return with a pop-off across the sheets paean to pornography. A sly, slick sing-a-long, “Watching Porno (feat. SaraJeanne)” transmits a generous jerk of electro-static pop. The tight, laughing vocal from SaraJeanne lips the saucy sippy cup with glee.
Samples of lonely maritime gales usher in “At The Dunes,” which pits detuned pads against bass and guitar with a soft, seaside lilt. “Call Of The City” slightly picks up the pace and unfurls into an infectious synth-pop instrumental. “Lawn Mowers At Night,” draws heavily on Potions’ sombre guitar tones over a bed of electronics.
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